All people, except this rich cream, living and scraping and fighting and dying, and for what, nothing, the cold millions with no chance in this world.

So thinks Rye Dolan, the main character of Jess Walter’s seventh novel, as he navigates the wealthy world and poor underbelly of Spokane, Washington, in 1909. Rye is sucked into the outer edges of history as it’s being made during the free speech riots of 1909 and 1910, an effort by the International Workers of the World to battle against predatory employment agencies who hired people for day work for a daily fee. In most historical fiction we read today, the spotlight falls on the names and stories we know from history (think about the kind of moment World War II is having in fiction), but Walter takes a look an unknown corner of American history with primarily unknown names and voices. While Rye and his older brother Gig aren’t real, 1909 Spokane was, as well as novel character and professional activist Elizabeth Gurley Flynn. With The Cold Millions, Walter analyzes the role we play in history as individuals and what it means to truly be “a part” of history, as well as whose voices we listen to after history has finally been “made”.

In this episode, we’re discussing some of the major themes of The Cold Millions, including history but also the way the structure of the novel both subverts & reinforces certain concepts of historical fiction, along with the morality of living in a world that doesn’t love you back. We also drop some great Spokane puns (Spokane should hire us for PR) and discuss our true feelings about epilogues.